
Not every good writing day ends with a high word count. Some days, progress looks quieter than that.
A lot of writers are very quick to dismiss the work that happens around the writing.
If they didn’t draft a chapter, hit a word-count goal, or spend a few visibly disciplined hours at the keyboard, they assume it doesn’t count. The day gets labeled unproductive. The guilt sets in. And suddenly all the quieter, less measurable parts of the creative process get treated like fluff.
I understand the impulse. Writing is so intangible already. Of course we want proof that we are doing it.
But I think this narrow definition of progress gets a lot of writers into trouble.
Because some of the most important work of writing does not look like writing at all.
The Work That Happens Off The Page
Part of the problem is that we’ve been trained to value what can be measured. Pages written. Words logged. Drafts completed. Those things are real and they matter. But they are not the whole story.
Writing also involves thinking, noticing, circling, remembering, and staying in relationship with the work long enough for it to reveal itself. And yet many writers dismiss the walk that helped them solve a plot problem, the journal entry that uncovered the emotional truth of a scene, the hour spent making sense of a timeline. Those things often matter precisely because they happen off the page.
Some writing days are drafting days. Some are thinking days. And thinking days are not lesser.
Taking a walk can calm the nervous system and loosen whatever idea was clenched in the mind. A scene opens up. A character starts talking. The knot you couldn’t untangle at your desk suddenly looks much simpler in motion.
Journaling gives you a place to think sloppily and honestly, to ask questions, to admit what isn’t working.
And lists, simple as they are, can hold the shape of a story before the story is ready to stand on its own. A list of possible scenes, of what your character wants, of images or questions or things you still need to figure out.
Trust the work that doesn’t look like work. It’s often doing the most.
Procrastination Vs.Preparation
Now, to be fair, not all writing-adjacent work is useful.
Sometimes organizing is just organizing. Sometimes the color-coded Scrivener Binder is a way of avoiding the vulnerable part where you actually have to write the scene.
And that’s okay. We’ve all done it.
But not all organizing is procrastination. Sometimes it is preparation.
Sometimes what looks like avoidance is actually a writer trying to make the work visible enough to continue. A timeline helps because the plot is getting slippery. A story bible helps because the details are multiplying. A neat list of chapter summaries helps because the draft has become too big to hold in your head.
The question is not whether the task looks writerly enough. The question is whether it is helping you re-enter the work with more clarity.
If it is, then it’s serving a purpose.
Let The Subconscious Help
Writing asks a lot from the conscious mind, but not everything good comes from our logical brain.
Sometimes the story needs you to back off a little.
Your job is to stay near it. To keep asking questions. To read over the pages and then go wash the dishes or take a walk, and let the subconscious keep turning the material over without demanding immediate results.
This is not always comfortable, especially if you are someone who likes visible progress. But I think many writers have had the experience of struggling with a problem, stepping away, and returning with the answer somehow already there.
That is not magic. That is part of the process too.
A Better Definition Of Progress
Many writers would feel less shame and more steadiness if they are allowed for a broader definition of progress.
A good writing day might be 1,500 words. It might also be a long walk that solved the middle of the book, or an hour spent mapping scenes so tomorrow’s writing goes better, or a quiet day of staying in conversation with the work instead of abandoning it.
That counts.
Not because we are lowering the bar, but because writing is bigger than its most visible output.
Sometimes progress is loud. Sometimes it is almost invisible. Both are real.
And if what you did today helped you remain in relationship with the story, I would be very careful before calling that nothing. The stories we tell ourselves about our work matter so consider reframing it as a quietly productive day, just as important as any other.
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Love this! So true! In my experience, writing is 99% thinking about what you’re about to write and 1% the writing itself. Thank you for the reminder, April.
I hear this a lot, and I recognize the truth inside it.
I would just gently add this: the thinking only becomes writing when we keep returning to the work. When we stay in relationship with it. Otherwise it can drift into something that feels productive but never quite lands on the page.
Both matter. The visible drafting and the quieter shaping. And on some days, the “thinking” is exactly the work the story needs.
What I try to remember is that writing isn’t just output. It’s attention over time.