
If you’re looking for a way to gain momentum and maybe even finish a draft, let me offer one small, surprisingly effective idea:
Write 500-word chapters.
Yes, just 500 words at a time.
This tiny shift in how you approach drafting can make a big difference. For many writers, it’s the key to getting unstuck, avoiding overwhelm, and actually getting the bones of a novel onto the page.
Here’s why it works.
Small Chapters Feel Doable
One of the hardest parts of writing a novel is how big it feels. When your goal is “write an 80,000-word book,” it’s no wonder your brain wants to go reorganize the pantry instead.
But 500 words? That’s manageable. Most writers can do that in under an hour (and it helps if you start off with a little meditation to get focused). Write on your lunch break. After dinner. While your kid is at soccer practice. And when you finish, you haven’t just written some words, you’ve completed something. That’s a powerful little dopamine hit.
Even more important? You’ve made progress. And momentum is everything when you’re trying to write a book.
Writing Short Helps You Stay Focused on the Scene
Think of a 500-word chapter as a single beat in your story: a focused moment, one character’s decision, one piece of action, one shift in the emotional arc. It’s the writing equivalent of a tight camera zoom.
This works especially well for writers who tend to discover their story as they go. If you’re someone who writes to find out what happens next, this small structure gives you just enough containment to explore without spiraling into a 10,000-word tangent.
It’s like giving yourself permission to write the “scaffolding draft,” something rough but complete, something you can build on later.
Great for Complex Plots and Messy Middles
This method is particularly helpful if you’re working on a book with multiple plot lines or points of view. When you break the story into these short, manageable chapters, it becomes easier to track who knows what, when.
Mystery writers, in particular, may find that these bite-sized chapters make it easier to juggle red herrings, reveals, and rising stakes without getting lost in exposition. The messy middle becomes less overwhelming when you tackle it one micro-scene at a time.
It’s Not an Outline. It’s Your First Draft.
Let’s be clear: these 500-word chapters aren’t placeholders. They are the first draft. You’re writing real scenes. They may not be polished yet, but they exist and that’s the most important thing.
Later, when you revise, you can go back and layer in emotion, description, and nuance. But the structure will already be there. You won’t be starting from scratch. You’ll be shaping something that already has momentum.
A Way to Outrun Perfectionism
One of the things I’ve noticed both in my own writing and in the writers I coach is that perfectionism thrives in wide open spaces. When you aim to “write a chapter,” it’s easy to freeze up. What does a chapter even mean? How long is it supposed to be? How do I know if it’s working?
But when you aim to write 500 words? You’re just writing a moment. You can revise it later. You’re not committing to forever. You’re just getting the scene down.
And that, more than anything, is how books get written.
Try It and See
If you’re stuck in the early chapters, tangled in your middle, or just trying to get back into a rhythm, try this: write a 500-word chapter today.
You don’t need a perfect outline. You don’t need the ending figured out. Just pick a moment, something your character wants, something they fear, something they say and write 500 words about it.
Then tomorrow? Do it again.
Let the structure support your momentum, not stifle it.
Try the 500-Word Chapter Challenge
If this approach resonates, I invite you to try a personal writing experiment:
- Set a timer for 30 minutes.
- Write a 500-word scene – beginning, middle, and end.
- Label it “Chapter One” and move on to the next.
- Do this five times this week and see how it feels.
Let go of “perfect.” Let go of “complete.” Just build a draft, one small piece at a time.
If you do try it, I’d love to hear how it goes. Leave a comment or send me an email. I look forward to hearing about your progress.
April, your posts are always helpful. They offer me things to put in my toolbox to try to pull out and try for different needs, like this method for avoiding roadblocks. I keep all your posts to re-read and reflect on.
Thank you, Wendy. I am a Pantser and think in terms of scenes because the number of words makes no sense to me. The scenes do not necessarily come in order because I can see my protagonist interacting/reacting to a story event that may be three chapters ahead or behind. So, like you, the number of words will put me in a straitjacket.
That makes total sense. If you think in scenes and out of order, word count can feel restrictive. The 500 words aren’t a rule, just a light container.
Write the scene when it shows up. Label it later. The structure is there to support your instincts, not override them.
I tried the “Hemingway” method of deliberately stopping mid-sentence so “You know where to start the next time.” Ended up not being able to figure out where my train of thought was going when I stopped. I think I’d have the same problem with a word count. I’ve had single scenes exceed 6,000 words. Conversely, I’ve had full chapters that were only a few hundred words. While it’s nice to track how many words you’re generating from day to day, when approaching the blank page/new file, the best advice I’ve gotten is to “think scenes,” not word counts.
April, your posts are always helpful. They offer me things to put in my toolbox to try to pull out and try for different needs, like this method for avoiding roadblocks. I keep all your posts to re-read and reflect on.
Thank you, Wendy. I am a Pantser and think in terms of scenes because the number of words makes no sense to me. The scenes do not necessarily come in order because I can see my protagonist interacting/reacting to a story event that may be three chapters ahead or behind. So, like you, the number of words will put me in a straitjacket.
Thank you for sharing this. It’s such a good example of why no single technique works for everyone.
If stopping mid-sentence or chasing a word count breaks your momentum, then it’s not serving you. When you’re facing a blank page, thinking in scenes can be far more grounding than thinking in numbers. Scenes have energy and intention. They give you somewhere to step into, not something to measure.
You’re trusting how your story actually shows up, and that’s exactly what you should be doing.