
I’ve been doing a lot of math around this lately, thinking about what a writing career actually looks like over time. Not the big debut-novel fantasy with the six-figure advance, but the quieter, slower version. The long game of a writing career. The version where you build an audience book by book, and end up with a body of work and a real readership.
There’s a kind of math writers do in their heads when they think about time. They count backward from some imagined deadline and decide there isn’t enough time left. I hear this from writers all the time, especially those in midlife who wonder if they started too late.
One of my favorite writers, my dad, wrote his first book in his sixties and worried that he wouldn’t live long enough to see it published. That was twenty years ago. He’s in his 80s now and working on book #4.
The truth is none of us can say how long we have left on this planet. The writers I know who have thrived don’t rush to the finish line. They take the time to write the books that are on their hearts, publishing them one at a time, and building their career along the way.
Why a Giant Debut Advance Often Hurts More Than It Helps
It’s easy to imagine that a breakout debut solves everything. In reality, it often creates a completely different set of challenges.
The pressure on the second book can be enormous. Every review will compare the sophomore effort to the first. Before long, the hardest part isn’t writing the next book. It’s quieting the voice in your head that insists you only had one good book in you.
Then there’s another reality that aspiring authors rarely hear about.
A huge debut advance sounds like a dream, but it also sets enormous expectations. If your publisher pays a six-figure advance, they expect six-figure results. Even a well-reviewed novel can be considered disappointing if it doesn’t earn back that advance, and as a debut author it’s difficult to get the kind of press that leads to six-figure sales.
One of the biggest questions publishers ask when considering your next book is surprisingly simple: did the last one earn out? If it didn’t, you likely won’t get another book deal. And in case it needs saying (I know we’re not the most math-minded bunch) a $5,000 advance is easier to earn out than a $100,000 advance.
How the Long Game of a Writing Career Actually Pays Off
Fortunately, there’s another path, and it’s the one I’ve found myself on.
A steady start. A publisher who asked for the next book. Then another after that. Nothing dramatic, just a career built in increments.
That’s how many solid writing careers are built.
Every new book introduces readers to your earlier work. Someone discovers your newest novel, enjoys it, then goes back and buys the books that came before it. Readers who find you late often work their way backward through everything you’ve written.
It’s not flashy. It doesn’t generate headlines. But after several books, that steady accumulation starts to work in your favor. Little by little, the body of work does the introducing for you.
This is the part I wish more writers understood. The publishing world loves talking about overnight success, but most successful careers aren’t built overnight. They’re built one book at a time.
You Probably Have Twenty Years (and That’s a Lot of Books)
Back to that twenty-year clock.
In twenty years, you could write ten books. That’s a serious body of work.
One of my favorite stories comes from Lisa See, the Pasadena novelist. I saw her speak at an event once and she told how writing runs in her family. Her mother reviewed books for a living, and one day Lisa’s grandfather picked up one of the to-be-reviewed romance novels on the kitchen table, flipped through it and declared, “I could do better than that.”
He was in his eighties. And he did.
He became a romance novelist, and his books sold remarkably well. He built an entirely new career at an age when most people assume those opportunities have already passed.
If you’ve been carrying around the fear that you started too late, maybe it’s time to set it down. Sometimes the best writing career belongs to a later bloomer, someone with a little more perspective and a lot less hurry.
I love this, as I’ve just beaten Dublin Gypsy Rose Lee’s prophecy that I would live to be 84 – and I want to get two draft novels plus the second children’s middle-grade adventure/fantasy tale published plus write my memoirs – I’m an octogenarian in a hurry, but I won’t give up in a hurry
Caroline, I love this so much. An octogenarian in a hurry with two novels, a middle-grade tale, and a memoir on the docket, that’s not a woman slowing down, that’s a woman with a full slate. Here’s to beating prophecies and keeping the pen moving.
Thanks a lot, April!
This resonated with me, too. When I was young, I was sure I’d publish novels, but I let life get in my way. I’m about to turn 70 and am determined to finish my novel.
This also resonated with me. I also assumed I’d be a novelist when I was young, but let life get in my way. Now I’m about to turn 70 and am working on a novel that has a lot more to say than it could have if I’d written it long ago! Thanks for this post.
Myrna, there’s something powerful about coming back to a novel now instead of decades ago. You’re a different writer than you would have been at 25, and that’s not a loss, it’s an asset. Wishing you a wonderful finish to it. And if there’s ever anything I can support you with along the way, I’d love to explore what might feel helpful.
Thank you, April. At 66, I often berate myself for not having gotten past my fear and other obstacles sooner. So now my fear manifests as comments like, “It’s too late. You waited too long. You don’t even have the creds to get a longer work published, and there are too many hurdles to surmount to get them now.” So your examples really helped to ratchet down that voice a little—and the panic & despair it generates.
Laura, that voice is so familiar to so many of us, and I’m glad the post gave it a little less room to shout. Sixty-six isn’t a deadline, it’s just where you are on the page and the credentials will come from the writing itself.
Thanks for reading.
Thank you, April. At 66, I often berate myself for not having gotten past my fear and other obstacles sooner. So now my fear manifests as comments like, “It’s too late. You waited too long. You don’t even have the creds to get a longer work published, and there are too many hurdles to surmount to get them now.” So your examples really helped to ratchet down that voice a little—and the panic & despair it generates.