I’ve been on this kick about story structure lately. It seems the more I write, the more things occur to me and a topic I thought would be hard to tackle is actually turning out to be kind of fun to explore. So today I wanted to share a kind of silly little trick to help keep a story interesting. I like to call the Oh S**t, Oh Cool method of pacing.
Oh S**t, Oh Cool
(From here on out, I’m ditching the asterisks, so if you’re easily offended you might want to stop reading.) The basic idea is that, to keep a story interesting, you have to keep things dynamic. This can mean changing locations from scene to scene, introducing characters with different motivations, even changing the weather.
But another thing you can change up is the status of your hero’s quest. If they’re getting what they want in any particular scene, that’s an Oh Cool scene. If they’re losing, it’s an Oh Shit scene. Make sure you alternate pretty steadily from one to the other and your story will feel dynamic.
Keep a Story Interesting
As your story progresses, you should plan for the stakes to increase. The Cool parts will be cooler and the Shit parts will be shittier. Consider this very high-tech infographic:
Or, if you’re writing a tragedy, it might look more like this:
(okay, yes, I just flipped the image, but do you really need the labels on this one?)
The point is, Oh Cool moments seem much cooler if you put them next to Oh Shit moments, and vice versa, and you want the stakes to increase over time.
Watch for It
This little trick is used ALL THE TIME in movies. So much so that we, as audience members, know that if Sally gets the pony for her birthday then dad is about to drop dead of a heart attack. Miright?
It’s a little less obvious in literary fiction, but if you look for it, you’ll see it in novels too.
As with any writing “rule,” I strongly encourage you to not get to crazy about following it, but if you feel like your story is sagging, it might be something to consider.
Now, if you’ll excuse me, I need to go put a copyright on those infographics.
Al Campbell says
Thanks so much for this, April. And I *love* your graph. I’m the kind of person who hears the ocean in my ears whenever I’m presented with a graph of ANY kind, but I could keep up with this one. That’s gotta be a win, right?
April says
Hi, Al,
So glad it’s working for you. Definitely a win.
Cheers,
April
Rebecca Bardess says
Love how simple this is!
April says
And those fancy graphics, right?
DV says
You better copyright those graphs…
Also, I insist on the second graphic having correct labels, darnit.
Seriously, though. Great general tip. Will definitely keep it in mind as my first draft plods along.
April says
I know, they’re pretty high tech, right? I’m totally going to copyright those as soon as I find a few spare minutes…
Hans says
Isn’t that where sub-story-lines are for?
Running for Just 1or2 chapters…
April says
Hi, Hans,
I’ve never thought of it that way, but I suppose you’re right. I’ve never been very intentional with my subplots. What an interesting idea…
Rachel capps says
Thanks for this tip. Brilliant stuff 🙂
April says
It was those fancy graphics that got ya, right?