When I started my novel, my thesis advisor suggested I check out a book called Winter’s Bone. This was back before it was a movie with the impeccable Jennifer Lawrence staring as the main character, Ree. (Yes, I’ve been working on this novel for a long time, shut up.)
It is a stunning book, stark and bleak with a young woman at the center who somehow brings a warm spot to the prose and makes you turn page after page. I have gone back to it many times to see how the writer, Daniel Woodrell, handled certain pivotal moments, but this weekend I began re-reading it, start to finish, to look at how it works as a whole. It’s pretty fucking amazing.
Chapter 1 is five pages. It introduces all the characters and paints the setting. By the end of page 14, the Sheriff has come to tell her that her dad put the family home up as collateral to post bail and if he doesn’t show up for his court date, the family will lose the house. “I’ll find him,” she says.
Then we’re off. It’s only 193 pages. It doesn’t need any more. I’m about half way through, marking up the margins with notes and thinking about story structure.
My story is different, of course, but there are some similarities, and it’s interesting to think about how I might use what I’m learning from Woodrell’s minor masterpiece to help shape my own attempt at art.